Hi
All, I’m Sarah
. I go by
Cera
too but that’s a
tangential
story
.
I joined
the Orlando Modern Quilt Guild
in
August
2015
.
I’ve been quilting for about ten years, off and on. I began a few years before the modern movement was formalized, but could see the beginning (especially in retrospect) from participating in Flickr groups back then. Work, grad school, starting a family,
and
multiple moves all
seemed to
put this hobby on the back burner.
However, I did
a count and I’
ve averaged 1.5 quilts per year over ten years, so I guess I wasn’t
entirely dormant on my sewing even though I was pretty much radio silent about it.
The idea of quilting started for me as it did for my mother – in the firm affirmation tha
t we would never do it. As in, “t
hat quilt Grandma made is amazing but I can never imagine having the time/
skill
/patience to do something like that
”
.
Then my mom started, and
quite a while a
fter that I was making some art collages with cut out magazine squares and my mom
says to me
,
“
Y
ou know what you’re doing, right?
”
It should have been obvious. So I sat with her at her house and she showed me, step by step, beginning to end, how to make a quilt. Now I’m a fourth
generation
quilter.
I’m
very
thankful for that lesson.
I
t gave me a creative outlet that stuck.
I’ve always felt like a creative soul trapped in a business person’s body so having an outlet is just like a kind of freedom.
A lot inspires me –
a
s a kid my best friend was an amazing illustrator
and
because of her I
have always admired
artists’
abilities. My mother, grandmother, and aunt were always up to something crafty so that was
supported
. I married an architect who taught me how to see things in a whole new way.
Fashion, interior design,
fine
art…
even
flower arranging all feed into the images that decompress and rearrange in my mind.
Attending
the Victoria Findlay Wolfe class the
G
uild
hosted
in December 2014 sparked a creative resurgence for me. Other quilters who
inspire me
are Sherri Lynn Wood, Meg Callahan,
Sarah Nishiura, Eleanor McCain, and Hillary Goodwin.
And j
ust hanging out with the
G
uild the last six months has really upped my game. There is so much talent in this group and I’m excited to get to rub shoulders with all of it.
Current project is deciding
on the quilting for
“Teal Number 2”.
I was working on a wedding quilt for some friends
and the design took
two different directions.
The second
direction b
egan with the
same
teal
and
grey color palette and took inspiration from art by Sven
Markelius
and the flying geese score from
Sherri Lynn Wood
. I started with
eight
teal toned large flying geese
blocks
, then iterated some more, decided to add in a little bit of jewel tones, then felt really
right
when I figured I wanted to dip the whole design into greyscale at the top and the bottom.
So that quilting…
I think I have it
now
but it sure is the
part that is hardes
t for me both in concept and execution.
My favorite
creation
was my first original design called
“For Elisa”. It was one of those happy creative moments that just poured out so fluidly it seemed like it really wanted to be made. The medallion center is based on a scarf of mine that my good friend liked. The outer blocks are a based on a pattern that I noticed in bench upholstery at a diner.
She says she still uses it all the time and that makes me
so
happy.
I may remake it one day.
C
reative process
? It
has many manifestation
s
. Usually it is based on
the recipient, so thinking about that person drives design choices around a fabric I want to work with, or a design concept. Sometimes I get an image in my head and I run to the sketchbook. Lately, I’m feeling creatively inspired by design challenges and
improv
concepts.
My bachelor’s degree
is
in Philosophy so I get really excited thinking and talk about the art vs. craft
distinction, whether a quilter thinks
they are
an artist, and
I’m fascinated
with the discussion surrounding the schools of design
in quilting
. Don’t be surprised if I ever use those topics as an
iceb
reaker…fair warning.
I think I may be a Modern Eclectic.